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Lovely.
Was that a design change in the headstock between those two numbers?
Daniel
I’ve got a new house. Kitchen going in in September, bathroom in October, exterior wall insulation in October, new windows, electrical…
I don’t think I’ll make it this year.
But maybe we can host a SCGC EU gathering!
Daniel
July 18, 2019 at 6:58 am in reply to: Santa Cruz Coffee Break-Lunch with Richard Hoover #1 podcast #2617I’d ask about the way the shop is organized in people and machinery. The plek machine will come into it, which is still slightly controversial isn’t it?
🙂
Daniel
Hi Zorro,
Presumably the instrument has been built to take larger strings. So bracing, action, and string gauge will still be the same if you capo up. Therefore the general tone of the instrument should still be more baritone than standard guitar.
The scale length of the bari at the 4th fret will probably be shorter than 25.5″ or even 24.9″. So there will be that difference too.
BTW, capo up to the 4th for E to E, capo up to the 5th for F to F.
I think about this stuff because I’m trying to find the perfect spot between mandolin and guitar. My 5 string emandos are 14.25″ and 15″ respectively. I’ve got a 17″ mandola and a 19″ octave mandolin.
When I capo the octave mando up to the 5th fret to catch the mandola tuning, I do mostly get the mandola tone. But this is probably because I use the same gauge strings for both instruments. The fretting is a bit tighter, but I’m comfortable with it.
In the end I’ll probably need to have someone build me a 5 string octave emando, GDAEB, at 19″.
Daniel

Wore it painting a few years ago. I know. Blasphemy!
The bill is sewn in at a strange little angle too. I kinda like it.
D
Yep. To reverse the control plate you swap the volume & tone controls and then reverse the switch as well. You need to rout the bottom of the trench about 2mm as well it the switch will bottom out.
This guitar ain’t finished yet. So when it comes time to add a neck pickup or replace the pickguard, I’ll have a look into those caps.
Thanks for being on the lookout for that contact paper. I think I bought it at Target back in the mid 1990s.
I was thinking of taking a scan or a hi-res photo of a clean part of the pickguard and asking someone to print it on some type of film which could then be transfered to a pickguard or cut into the correct shape.
🙂
Daniel
Forgot to answer the pickguard question…
Yes, I love this pickguard. I’ll be sad to see it go. It’s the original single-ply white 5 hole guard onto which I have added denim patterned contact paper. I trimmed the edge to make it look like a 2 ply. Simple.
But I cannot find denim contact paper anywhere. So replacing it will probably be impossible.
Yes, Amazon has some but it’s not the right pattern and looks pretty lame.
Daniel
No worries Richard! I love the Strat. “Nicotine cream” is a good name for that color.
Yep I had the control plate reversed as well. I wanted the ability to use it a la Bill Kirchen, but I have yet to get comfortable with it. I have been bumping into the volume knob, but no biggie. I’ll get used to it.
Daniel
love the patina!
June 28, 2019 at 6:36 pm in reply to: Santa Cruz Coffee Break-Lunch with Richard Hoover #1 podcast #2562Well done guys! Very enjoyable podcast!
I like “lunch with Otis” as a title.Daniel
Nashville loves self-referential sentiment.
😉
Daniel
Welcome Staci!
Great wall! And that Emerald looks amazing.
Daniel
See, you’re in Rock Star territory there Tad. I can tell because you have to label the cases!
🙂
Daniel
Me too! 🙂
Consolidated space?

And that’s not everything. There were two small amps behind me as I took the photo, and I’ve got three guitars at the local luthier. My mandola-uke and a pile of mic stands are in the cupboard on the right.
Ne c’est pas jolie, mais ca marche!
Daniel -
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