Matt Hayden

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  • in reply to: Custom 50th FTC #3152
    Matt Hayden
    Participant

      Of the spruce and cedar ones you’ve got, I prefer the spruce (and would be in the market for it if you ever let it go), but have to acknowledge that the cedar has a lot of cut and power – it works really well for Django-style jazz and pick-based comping.  The spruce is a little rounder and mellower and maybe a tad quieter, but the range of timbres is wider (IMHO, YMMV, ADA).

       

      in reply to: Mahogany OOO? #3151
      Matt Hayden
      Participant

        Ah, yes, it was an OM.  It was a tremendous guitar, enormously powerful.

        It also had a soft-V neck shape that was as close to what I have on my ’91 OM as anything I’ve come across, and which (for me, anyhow) is extraordinarily comfortable to play for long periods of time without hand pain.

        It was also extraordinarily light.  Just great all around.

        in reply to: Mahogany OOO? #3139
        Matt Hayden
        Participant

          I think Matt Sarad had one from Steve Swan.  It was an amazing instrument.

          in reply to: Open geared tuners #3130
          Matt Hayden
          Participant

            Bert – that photo looks just like the headstock of my 2000 OMC-15E!  I really like the SXN-510Vs.

            Luke, I have the nickel / ebony button Waverly tuners on my 00-29.  Gorgeous.

             

            in reply to: Open geared tuners #3112
            Matt Hayden
            Participant

              Waverly tuners are good – they last and have a really amazing warranty.  I had an issue with the ones that I’ve got on my OM (old nickel plated butterbeans, worn to the brass) and Waverly replaced them without a problem.   They’re excellent for new instruments.  And they never, ever needed oiling.  The reason they needed replacement was that the loctite on the threads of the adjustable bushings had broken free…..if I had known that, I wouldn’t have had them replaced, I’d just have put another drop of blue loctite in and adjusted them properly, because the old ones are in good shape – I fixed them after removing and replacing them.  Kinda feel bad about exercising the guarantee when they could have been fixed, but StewMac doesn’t generally advise fixing.

              For instruments that have had closed tuners installed (e.g., have a headstock hole larger than the 1/4″ that Waverly needs), your choices are limited:

              • use the oversize bushings from Waverly
              • fill the holes and redrill to 1/4″
              • use the Gotoh SXN-510V series, which is what I did on a Martin – they’re open back but have a 3/8″/10mm enclosed shaft like a closed-back tuner. They fit beautifully and work mechanically in the larger holes without issue.

              Which Waverly style did you get?  Button style?

               

              • This reply was modified 6 years, 5 months ago by Matt Hayden.
              in reply to: Chestnut #3102
              Matt Hayden
              Participant

                And it makes great furniture.

                in reply to: "The Maestro" #3101
                Matt Hayden
                Participant

                  That’s a lovely guitar – extraordinarily powerful.

                  in reply to: SCGC Euro-meetup #3096
                  Matt Hayden
                  Participant

                    We’ll bring a tent 😉

                    in reply to: California Fires #3095
                    Matt Hayden
                    Participant

                      Yes – I’ll even pay the postage…..of course, flood is what follows fire in CA.  Sigh.

                      in reply to: California Fires #3091
                      Matt Hayden
                      Participant

                        In the I-don’t-believe-this-sh@t category we had a very small fire locally caused by someone who’d left their generator running with the exhaust playing on a pile of leaves.   Fortunately it was very minor and only left a twenty-foot circle of scorched yard, but REALLY……

                        No wonder the aliens don’t want to talk to us.   We kinda need to up our game.

                        in reply to: Pre-war/Advanced-x bracing and string choice propensity? #3090
                        Matt Hayden
                        Participant

                          Thank you!  I find plenty and I generally keep a broom around to sweep up the notes that fall on the floor during practice :D.

                          in reply to: California Fires #3081
                          Matt Hayden
                          Participant

                            The Kinkade fire is believed to have been caused by a broken transmission line due to wind.

                            in reply to: Pre-war/Advanced-x bracing and string choice propensity? #3080
                            Matt Hayden
                            Participant

                              Mostly use the Cruz Low Tensions on everything with one exception (an old Martin that uses John Pearse Folk).

                              How it sounds from there is my responsibility (or fault, depending on how you want to look at it) 🙂

                              in reply to: California Fires #3069
                              Matt Hayden
                              Participant

                                We’re right on the edge of the power outages and there have been a couple of nasty-but-thankfully-small fires in the canyon and two in town, one of which got right to the edge of our park.

                                I wonder how much of this is arson – it’s an awful thought, but a very present one since the firebug from Missouri spouting anti-CA animus was caught lighting fires in Milpitas (the next city south).

                                Hoping everyone makes it through this season ok. Can’t deal with another 2017.

                                in reply to: Solo recording while doing one’s own engineering….. #3068
                                Matt Hayden
                                Participant

                                  I’m kinda thinking that the right answer is what Richard said: just set it up in AIR mode and play, and deal with the output later.    It’s easier to play when you’re not thinking about managing the buttons, and since it’s all acoustic anyhow – e.g., all mics – it’s probably the simplest method.

                                   

                                Viewing 15 posts - 331 through 345 (of 535 total)