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https://www.lrbaggs.com/pickups/m80-acoustic-guitar-pickup
I also chose the M-80 because the artists at SCGC work magic with wood and steel….. I’m hoping the M-80 will reflect that “Santa Cruz Voice” and the tone woods true sound. I’m hoping that a German/ Adi/ Italian/Redwood top will be heard and not changed to a compressed electric sound.
Also….. My favorite firecracker was the “infamous” M-80 in my misspent youth.
This is why I chose the M-80….it was designed to use the body of the guitar as well as electronics. I want my SCGC guitars to sound as “Acoustic” as possible.
https://www.pegheadnation.com/instruments-gear/instrument-demos/lr-baggs-m1-active-and-m80/
Just watched…… I think this edition may have shown the best of all three of you and we who are members of the forum thank you for a wonderful thing.
Great job .
Thanks Bert.
the discussion you attached is very interesting.
Post 8 would appear to be most similar to my picture but that raises the question of age of the sets Richard uses for the 1934s.
It states in your attached article that “Most” stump wood B/S were produced after the early 1990s.
The SCGC 34s use wood harvested in the 1930s…. When there was no thought of the wood becoming so difficult to procure. So I’ll just have to see what Mr. Hoovers thoughts are on the subject and I think I’ll send a email to Carolyn and inquire about mine.
I was presented with several sets of Braz when I contracted to have SCGC build the guitar and all were beautiful…..so much so that I could not decide and left the choice up to The Maestro.
I was playing the 34 Zorro for several hours this morning and am still amazed at the Volume , Balance and Clarity that it produces.
The only reason I even posted about this subject is because when I sail beyond the horizon and leave my small collection to my Niece and Nephew I want to do all I can to pass on the information to them about what they are receiving . I want them to treat the guitars with the same love and respect for their history and artistry that made me purchase them in the first place.
Thanks Big Mon.
Rereading my post I appear to be selfish and Snarky …… did not mean to be that. I know that Mr. Hoover has a full plate and I hope all of his time is spent profitably.
I just wanted to hear his opinion and if any of his wonderful Braz creations have suffered from cracks. He has 40 years experience and we all look to him for Facts.
Again please forgive me …I meant no offense.
Richard,
Thanks. I understand my small collection of SCGC instruments and my loyalty to SCGC in my choice of ‘Voices” in the instruments I play is of small importance to the big picture of SCGC .I have ALWAYS been given the utmost respect and consideration when dealing with the artisans of SCGC……I was just wondering if a $ 25,000 guitar (replacement well over $30,00K) is going to someday have “issues ” that my heirs will have to address.
My most recent purchase of a NEW SCGC instrument was a few months ago , A wonderful Granadillo/ Redwood FTC that I play everyday… I love the tone, The voice , The playability of the instrument, and ALL of my SCGC guitars. I currently own 5.
I would hope that an expression of curiosity as to the structural longevity of a Guitar built from SCGC’s selection of Brazilian might be forth coming in a reasonable time frame.
