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Will the labrys stand vertical on the headstock or horizontal? Which then leaves me wondering where the SCGC logo goes? I guess I’ll need to wait and see how it lays out. Should be spectacular.
I really like doing business with TME. I’ve purchased many guitars from that shop over the years. My only criticism is they don’t have a quiet spot to try out the guitars. But they are super people.
– Paul –
I wasn’t dodging you, I just saw this question Hank. My last one? Well…. As I told my wife, this is probably it. She just rolled her eyes, laughed and said “Sure it is honey.” It could be though. But I just love the damn things so much.
– Paul –
Fun podcast. It’s nice to see Will and put a face with the name. The 2 big takeaways for me were: the heart & soul comments. That resonates with me and I need that to be part of any guitar I own. None does this better than SCGC. It makes me proud to be part of this very special SCGC family. The other thing is listening to Richard talk about his “wood problem.” I have the same problem. As a woodworker, carpenter, wood technologist/wood scientist I could listen to Richard discussing his wood experiences all day long. Thanks guys.
– Paul –
I liked my Euro/Cocobolo OMG so much that when I was placing the order for the OM, I spoke with Richard about the things I liked so much about the OMG we had worked on a couple of years prior. I had asked for a dark, “wet” tone with very present mids and trebles. I’ll spare the details of our conversation, but it was fascinating and he was incredibly generous sharing his knowledge and time. He aimed to incorporate those qualities in the OM design, realizing the OM is smaller and has its own personality because of the size difference. With that as prelude…
The biggest difference to my ear is that the OMG (besides having a bigger tone) is that it has an amazing thick, rich, dark tone. I wouldn’t say it’s louder or more powerful, but it does have a bigger sound,. The OM has glorious mids and trebles rooted with that solid bass thump. It has a quicker response than the OMG, which is what we were aiming for. I think bracing came into play in that regard. The OM does not have a predominantly rich, dark tone, but it is perfectly balanced and highly harmonic. Both guitars are absolutely amazing. I have (too) many great guitars and I can say the OMG and OM are as good as it gets!
I haven’t had a chance to tell Richard how happy am with the OM — but if you are reading this Richard, Merci!
– Paul –
This is my 6th SCGC guitar. I bought 3 ready-made models that were great, but not exactly what I was hoping for. So, 1 by 1 I replaced them with 3 custom orders. Talking with Richard and Carolyn resulted in my current SCGC trio of perfection. I have a Euro/Coco OMG, a Euro/Mahogany H13, and (now) a Euro/ Coco OM. I think they are as good as it gets, none stand out as best; and they each provide a different tonal experience. The playing experience (feel & feedback) is fantastically similar. Some friends think I’m a bit nuts to go the route I did. However, I knew what I was looking for and knew Richard and Carolyn are great listeners who are able to deliver exactly what I hoped for.
– Paul –
Thanks guys. I picked up the little beauty this morning and it’s one of those instruments that seems just right — immediately. Most custom guitars I’ve had built take time to settle it, but this one is mellow and resonate from the start. I expect it will become quite something as it figures itself out. The color is quite striking in person. It’s different, colorful and beautiful! I’m a happy boy!
– Paul –
Thanks for posting that Will. It’s nice having a peek into your journey. I’m scratching my head a little about your dad because that was very much part of my professional world (now retired) and wonder if I’ve crossed paths with Lloyd over the years. I hope you are getting settled and I look forward to exchanging ideas and experiences.
– Paul –
Delivered to The Music Emporium yesterday and I drive over tomorrow to pick it up.
Custom Cocobolo/European OM Model with Adirondack bracing/hot hide glue, Koa bindings, 2-1/4” bridge spacing, Cocobolo overlay, abalone rosette, S29 top border & back strip, 45 style fingerboard inlays, SCGC logo in abalone, sunburst top and nickel Waverly tuners 18:1 with Ebony knobs.
– Paul –
I’ve owned two H13 and one 1929 00 guitars and played several others of both. I think they are both fantastic, but I prefer the H13. I find the H13 pretty much covers everything the 00 does, but it has more depth, power and can handle a flat pick without loosing the soft touch while playing with fingers. As with all guitars, there is some difference between H13 models. I sold my first H13 so that I could dial in my preferences with a custom build. Carolyn and Richard are really, really good at converting discussions into exactly what you want delivered.
– Paul –
The man can talk, and he’s got lots to say. Interesting guy with interesting life experiences.
– Paul –
According to SCGC, they have decided to vacuum seal all our strings within the packaging. They have had a few reports of tarnishing and, although it didn’t affect the performance or longevity they feel their new packaging will address this issue. SCGC keeps pushing the envelope (so to speak.)
– Paul –
