February 7, 2019 at 1:33 pm #1847
I listened to a video interview where you (Richard) are holding a Custom 000 (I believe) with 45 style abalone inlays. Richard,you make some statement to the effect that you place the inlay where it won’t impact the sound. How does abalone inlay used around the bouts or in other locations on a guitar impact tone?
– Paul –
February 7, 2019 at 8:46 pm #1850HankParticipant
I asked Richard this question about my 1934 D with style 45 appointments.
He answered me on this page…..He said it definitely did make a difference.
Maybe you can search this page for his answer.
Richard’s and Bill Warmouth’s and my conversation about this exact topic (before I ordered the 34) was the deciding factor in my getting the style 45 upgrade.
Just looked the topic is on page 2 ….under D45 appointments.
1993 Martin HD-28 IR/Sitka
2001 SCGC F Cutaway Maple/German
2008 SCGC OT Madi/Italian
2015 SCGC OM “The Tree” Hog/ European
2016 SCGC 1934 D45 Braz/ Adi
2016 Taylor K62 CE Limited Edition 12 string all Koa
2019 SCGC FTC Granadillo/Redwood
Life is a journey…not a guided tour,
The Bay,The Gulf Stream , The Open Ocean are particular about who they share their secrets with.
- This reply was modified 2 years, 2 months ago by Hank.
February 7, 2019 at 9:00 pm #1852
Thanks Zorro. I found it here – https://santacruzguitarplayers.com/forums/topic/d-45-appointments/
– Paul –
February 18, 2019 at 12:52 am #1865Richard HooverSenior Moderator
Here it is Haasome! I did minor clarifying editorial here to make me look smarter.
Let’s start with how the binding affects the sound in general. The violin uses the little black/white/black fiber purfle to isolate the top from the body of the instrument. With out this the string’s energy would transfer from the top into the sides and back of the violin directing sound to the player at the expense of the audience. The same happens in the guitar. If the bindings don’t isolate the top from the body it will suffer in its ability to project the sound outward.
Your SCGC’s 45 style binding does an excellent job of isolation with two violin purfles book-ending abalone strips all working together by limiting the transfer of vibration away from your audience. Real wood or cellulose based bindings like Ivoroid add to the advantage. Contrast this with the laminated plastic binding found in production instruments. These will transfer rather than block vibration resulting in a guitar that seems louder to the player than to the audience.
All the best, Richard
February 18, 2019 at 1:55 am #1866
Thanks for the clarification and edification.
– Paul –
February 18, 2019 at 2:05 am #1867indexlessKeymaster
WOW, this might be a forum first…… at long last the forum is actually working…you guys make me proud!
- You must be logged in to reply to this topic.