A Minute of E Mando

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This topic contains 6 replies, has 4 voices, and was last updated by  Daniel 3 days, 6 hours ago.

  • Author
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  • #3236

    Daniel
    Participant

    30 November, CapNO Laon, France.
    Les Caves Se Rebiffent (9 bands, one night)

    A Minute of E Mando: (a little St Anne & Whiskey Before Breakfast)

    Julien is coming along, but I gotta get him sorted on a boom-chuck rhythm.  😉

    Daniel


  • #3237

    Chrisakadigdog
    Participant

    Well that looked like a whole lotta fun.  Sounding good Daniel

  • #3238

    Old 97
    Participant

    The Mando has a Garcia sound to it. You playing any Dead Tunes?

  • #3239

    zorro
    Participant

    Daniel….it may be time for you to consider this……Your Mando is sounding Very Gypsy like .


    1993 Martin Custom HD-28 IR/Sitka
    2001 SCGC Custom F Cutaway Maple/German
    2008 SCGC Custom OT Madi/Italian
    2015 SCGC Custom OM “The Tree” Hog/ European
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    The Bay, The Gulf Stream, The Open Ocean are particular about who they share their Secrets with.

  • #3242

    Daniel
    Participant

    Thanks gents!

    For that tune I was going straight through the pedal board with nothing engaged and into a Marshall MG30CFX.  The Marshall was mic’d.

    I use ONLY the clean channel on that amp.  The rest are rubbish.  But I crank both the gain and the volume all the way up and adjust the break-up by adjusting the master volume.  Julien thinks I play too loud. 😉

    So when I go to chords, you can hear just a tiny little bit of overdrive.  I backed off a bit after the third chord so I wouldn’t step on Julien’s melody playing.

    That particular emando has a Kent Armstrong humbucking pickup hanging on the end of the fretboard, and it’s fully acoustic in construction rather than chambered.  A real Jazz box.  So it was designed for as warm as sound as possible for a soprano instrument.  Which is all probably why it sounds Garcia-like.

    Depending on the song I add some more overdrive, a bit of compression, a bit of mid-range EQ boost, or a straight boost.  When we play “Wish You Were Here” I use an octave pedal for the melody bits.

    I get a Trey Anastasio sound when adding a bit of compression and overdrive.  🙂

    Daniel

     


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